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Backspace featured in October 2009 Writer's Digest Magazine!  Read the online interview with co-founders Christopher Graham and Karen Dionne.

 

 Read EXTRA articles on writing and publishing on STET! - the Backspace blog

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May 27 - 29, 2010 - New York City

editors panelLorenzo Carcaterra, #1 New York Times bestselling author, screenwriter
Neil S. Nyren, Senior Vice President, Publisher and Editor in Chief of G.P. Putnam’s Sons
Paul CironeElizabeth Evans Joanna Stampfel-VolpeAdam Chromy Elana Roth Jennifer DeChiara Victoria Horn Brandi Bowles Lois WinstonRebecca StraussJeff KleinmanKristin NelsonJamie BrennerColleen Lindsay and more to come!

 REGISTER for one event, or both!

Editing: How To Avoid Staring Into The Great Black Abyss by Elana Johnson

 

abyssOkay, so imagine you've finished the fifth draft of your amazing NYT bestseller. You've let some time go by. And now you're ready to edit the manuscript. Again. (*Note: for the purposes of this post, editing and revising are synonymous.)

You sit down, open the document, and...proceed to stare into the great black abyss like somehow your MS will edit itself. Oh, sure, maybe you're like me and you immediately click on gmail when something earth-shattering doesn't hit you about your novel. Or Farmville. Or Cafe World. Or a writing forum. Heck, maybe you even distract yourself with Hulu and Free Rice. And when you get really desperate, well, let's not go there.

I know (trust me, I KNOW) the thought of editing an entire manuscript is overwhelming. Daunting. Like climbing the mountain--again.

So today, I'm going to give you some pointers that have helped me tackle my 320-page manuscript, edit it, polish it, get it to betas and then out the door in less than 30 days. Strap yourselves in.

Read more...
 
Bouncing Eyeballs and Other Unintended Meanings by John Robert Marlow

 

Unintended meanings are mood-killers. This is as true on the page as is it is in life: you say one thing, your listener hears another, and trouble soon follows. They heard every word you said, and accurately too—but they took those words to mean something very different from what you intended.

Consider the following passage:

bouncing eyeballs

“His eyes bounced between Teddy, Mandy, the girl, the geologist, then back to Franklin.” Read literally, this tells us that “his eyes” are flying around the room, bouncing between characters like a pinball between posts. And while it’s true that very few readers are going to take this figure-of-speech sentence literally, many will nonetheless read it the wrong way. When they do, one of two things will happen: they will stop, go back, and read it again to clarify—or they will laugh. The first reaction is never good; it “breaks” the read and kills momentum. In a work not intended to be comedic, the second reaction is also not-good.

Read more...
 
Getting Started on Twitter: A Quick Guide for Kid/YA Writers by Mitali Perkins

 

Newbie to Twitter? Writing books for kids or young adults? Here are five easy steps to jumpstart your use of Twitter:

twitter logo1. Join.

I recommend using a real name if possible. Or a pen name if you use one. It's your brand, right?

2. Personalize.

Write a snappy 160 character bio. Link to a website or blog. Use a photo of your real head. If published, upload a .jpg of your most recent book as your background. Don't tile if it gets headachey. If not published, upload a .jpg of something bookish, artsy, or representative of you, either from your own photos or something you find via Creative Commons.

Read more...
 
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